Sarker Protick

Sarker Protick's photography is deeply rooted in themes of time, memory, and identity. His works are often characterized by their minimalist aesthetic and emotional depth. He skillfully captures moments of personal significance, such as in 'What Remains,' where he portrays the last days of his grandmother, using subtle lighting and evocative compositions. His style merges documentary with fine art, blending the personal with the environmental, especially in works like 'Of River and Lost Lands' which explores the effects of climate change on Bangladesh.

Sarker Protick has significantly impacted the Bangladeshi photography community through both his artistic work and his role as an educator and curator. He lectures at Pathshala South Asian Media Institute, shaping the next generation of photographers. Additionally, as a co-curator of the Chobi Mela International Photography Festival, he has contributed to one of Asia's most important photography festivals. His work has opened new avenues for contemporary photography in Bangladesh, blending local themes with global visual narratives.

Sarker Protick's career is marked by several prestigious recognitions. In 2014, he was named one of the 'Ones to Watch' by the British Journal of Photography. The following year, he won the World Press Photo Award for his series 'What Remains,' which explores themes of death and memory. Additionally, he has received the Magnum Foundation Fund and participated in the Joop Swart Masterclass, further cementing his reputation as a leading figure in the global photography scene.

Sarker Protick has tackled environmental themes with sensitivity and clarity, particularly through his series 'Of River and Lost Lands.' In this project, he documented the erosion of the Padma River, an issue that has drastically impacted local communities and landscapes. His photography captures the intersection of environmental change and human experience, highlighting both the beauty and tragedy of Bangladesh's rapidly shifting ecosystems.

The Pathshala South Asian Media Institute played a pivotal role in shaping Sarker Protick's photographic career. Enrolling in night classes at Pathshala in 2009 marked a turning point for Sarker, as he transitioned from aspiring musician to photographer. The education he received at Pathshala helped him hone his technical skills while also encouraging his artistic vision. This foundation allowed him to explore personal themes of memory, identity, and environment in ways that resonate deeply with audiences worldwide.

Sarker Protick's work has been exhibited at major international events, including the Dhaka Art Summit, Chobi Mela International Photography Festival, and Singapore Art Week. His exhibitions have showcased his unique ability to blend personal narratives with universal themes. These exhibitions have brought his work to a global audience, helping to establish his place among contemporary photography's most innovative voices.

'What Remains' is one of Sarker Protick's most significant works, marking his exploration of time, memory, and the human condition. This series, which documents the final days of his grandmother's life, highlights the emotional and personal aspects of his photography. Its minimalist aesthetic and focus on intimate moments with his grandmother brought Protick international recognition, winning the World Press Photo Award and establishing him as a key figure in contemporary visual storytelling.

Sarker Protick co-curates the Chobi Mela International Photography Festival, which is Asia's longest-running photography festival. His involvement in the festival has further solidified his role in shaping Bangladesh's photographic landscape. Through this platform, he has helped bring attention to emerging photographers while also showcasing his own work. His curation of the festival underscores his commitment to advancing the field of photography in South Asia.